Cbse Class 12 Fine Arts Syllabus 2024-25

Cbse Class 12 Fine Arts Syllabus

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Student Query ⇑

CBSE Class 12 Painting Syllabus: CBSE is like the big boss of school stuff in India. They make sure we learn all sorts of cool stuff in our classes. We get to pick what we wanna learn from a bunch of different subjects, like math, science, and history. But there’s also this awesome subject called Fine Arts. It’s perfect for those of us who love drawing, painting, or making cool sculptures. Fine Arts lets us express ourselves and get better at our creative skills.

Class 12 Fine Arts Syllabus cbse board

For senior secondary students of CBSE, there are four Fine Art courses available: (a) Painting (Code No.049), (b) Graphics (Code No.050), (c) Sculpture (Code No.051), and (d) Applied Art-Commercial Art (Code No.052). The Class 12 syllabus for the 2024-25 academic year for all these courses is accessible in PDF format here. Students and teachers seeking the most recent theory and practical syllabi can consult this information or download the PDF for future reference, free of charge.

My tagline… Focus on your goal 

In 2025, the Painting Theory exam is gonna be for 30 marks and lasts for 2 hours. They’ll cover three units during the exam.

Unit Content Periods Marks
1 The Rajasthani and Pahari Schools of Miniature Painting 24 10
2 The Mughal and Deccan Schools of Miniature Painting 24 10
3 The Bengal School of Painting and the Modern Trends in
Indian art
24 10
Total 72 30
(a)
The Rajasthani and Pahari Schools of Miniature Painting
(16th Century A.D. to 19th Century A.D.)
A brief introduction to Indian Miniature Schools: Western- Indian, Pala, Rajasthani, Mughal, Central India, Deccan, and Pahari.
18 Periods
CBSE Class 12 Fine Arts Syllabus 2024-25: Download PDF
CBSE Class 12 Fine Arts Syllabus 2024-25: Download PDF
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Unit 1

(a) The Rajasthani School:
1. Origin and Development
2. Sub-Schools-Mewar, Bundi, Jodhpur, Bikaner, Kishangarh and Jaipur
3. Main features of the Rajasthani School
4. Appreciation of the following Rajasthani painting

Title Painter Sub-School
Maru-Ragini Sahibdin Mewar
Chaugan Players Dana Jodhpur
Krishna on swing Nuruddin Bikaner
Radha (Bani-Thani) Nihal Chand Kishangarh
Bharat Meets Rama at Chitrakuta Guman Jaipur

(b)The Pahari School:
1. Origin and development
2. Sub-Schools-Basohli, Guler, Kangra, Chamba andGarhwal
3. Main features of the PahariSchool
4. Appreciation of the following Pahari paintings:

Title Painter Sub-School
Krishna with Gopis Nand, Yashoda and Manaku Basohli
Krishna with Kinsmen Going to Vrindavana Nainsukh Kangra

Unit 2

The Mughal and Deccan Schools of Miniature Painting 18 Periods
(16th Century AD to 19th Century A.D.)
(a) The Mughal School
1. Origin and development
2. Main features of the Mughal School
3. Appreciation of the following Mughal Paintings:

Title Painter
Krishna Lifting Mount Govardhana Miskin
Falcon on a Bird-Rest Ustad Mansoor
Kabir and Raidas Ustad Faquirullah Khan
Marriage Procession of Dara Shukoh Haji Madni

(b) The Deccan School
1. Origin and development
2. Main features of the Deccan School
3. Appreciation of the following Deccan paintings:

Title Painter Sub-School
Hazrat Nizamuddin Auliya and Amir Khusro Unknown Hyderabad
Chand Bibi Playing Polo (Chaugan) Unknown Gol Konda

 

Unit 3: The Bengal School of Painting and the Modern Trends in Indian Art
(a) The Bengal School of Painting and the Modern Trends in Indian Art (b) The Modern Trends in Indian Art
About the beginning to mid of the 20th Century

Periods

  1. (i) National Flag of India and the Symbolic significance of its forms and colors.
  2. (ii) Introduction to the Bengal School of Painting
    1. (i) Origin and development of the Bengal School of Painting
    2. (ii) Main features of the Bengal School of Painting
  3. (iii) Appreciation of the following paintings of the Bengal school:
    1. (i) Journey’s End – Abanindranath Tagore
    2. (ii) Shiv and Sati- Nandla Bose
    3. (iii) Radhika – M.A.R.Chughtai
    4. (iv) Meghdoot – Ram Gopal Vijaivargiya
  4. Contribution of Indian artists in the struggle for National Freedom Movement.

Appreciation of the following contemporary (Modern) Indian Art

  1. (i) Paintings:
    1. (i) Rama Vanquishing the Pride of the Ocean – Raja Ravi Varma
    2. (ii) Mother and child – Jamini Roy
    3. (iii) Haldi Grinders – Amrita Sher Gill
    4. (iv) Mother Teresa – M.F.Husain
  2. (ii) Graphic – prints:
    1. (i) Children – Somnath Hore
    2. (ii) Devi – Jyoti Bhatt
    3. (iii) Of Walls – AnupamSud
    4. (iv) Man, Woman and Tree – K. Laxma Goud
  3. (iii) Sculptures:
    1. (i) Triumph of Labour – D. P. Roychowdhury
    2. (ii) Santhal Family – RamkinkarVaij
    3. (iii) Cries Unheard – Amar Nath Sehgal
    4. (iv) Ganesha – P.V. Janaki Ram

The names of artists and titles of their artworks as listed above are only suggestive and in no
way exhaustive. Teachers and students should expand this according to their resources.
However,the questions will be set from the above-mentioned artworks only.

 

cbse syllabus of class 12 fine arts

The practical exam is worth 70 marks. You’ll have a total of 6 hours for the practical, with a break after 3 hours. So, you’ll have 3 hours of work, then a break, followed by another 3 hours to finish up.

Unit Content Periods Marks
1 Nature and Object Study 50 25
2 Painting Composition 50 25
3 Portfolio Assessment 48 20
Total 148 70

 

Unit Description Periods Marks
1 Nature and Object Study Studies based on exercises done in class XI with two or three objects and two draperies (in different colors) for background and foreground. Exercises in pencil with light and shade and in full color from a fixed point of view. 50 25
2 Painting Composition Imaginative painting based on subjects from Life and Nature in water and poster colours with colour values. 50 25
3 Portfolio Assessment
a) Record of the entire year’s performance from sketch to finished product.
b) Four selected nature and object study exercises in any media done during the session
c) Two selected works of painting composition done by the candidate during the year
d) One selected works based on any Indian Folk Art (Painting)
48 20
Total 148 70

These selected works are prepared during the course by the candidate and certified by the
school authorities as the work done in the school will be placed before the examiners for
assessment

Note:
1. The candidates should be given an hour break after the first three hours.
2. The timetable to be so framed as to allow the students to work continuously for
a minimum of two periods at a stretch.

 

Guidelines for Evaluation of Practical

1. Marking Scheme:

Part Description Marks (i) (ii) (iii)
I, II I.    Nature and Object Study 25 10 5 10
II.    Painting Composition 25 10 5 10
Total 50

Part III: Portfolio Assessment

Description Marks
(i) Record of the entire year’s performance from sketch to finished product. 10
(ii) Four selected nature and object study exercises in any media 05
(iii) Two selected painting compositions prepared by the candidate 03
(iv) One selected work based on any Indian Folk Art (Painting) 02
Total 20

 

CBSE Class 12 Graphics Course Structure 2024-25 

Similar to the Painting course, the Graphics theory paper for the 2025 Fine Arts exams will be worth 30 marks and last for 2 hours. During the exam, three units will be covered.

Unit Period Marks
1 (a) Six Limbs of Indian Painting & Fundamental of Visual Arts (Elements & Principles) 0
(b) The Rajasthani and Pahari Schools of Miniature Painting 24
2 The Mughal and Deccan schools of Miniature Painting 24
3 The Bengal School of Painting and the Modern Trends in Indian Art 24
Total periods 72
Total Marks 30

Note: The Syllabus of Graphics (Theory) for Class XII is the same as that of Painting (Theory)
for class XII given earlier.

CBSE Class 12 Graphics Practical Syllabus 2024-25

Practical
Time allowed: 6 hours.                                                                                                                        Maximum Marks:70 
Unit wise Weightage                                                                                                                                   

Unit Content Period Marks
1 Making of graphic print through Serigraphy/Lithography/Etching and Engraving (Intaglio Process) techniques 100 50
2 Portfolio Assessment 48 20
Total Periods 148
Total Marks 60

Note: The students in the class are expected to opt for any one of the following media
depending upon the facilities available in their schools.

S.No. Units Periods
1 a) Serigraphy 120 Periods
1. The history of stencils and silkscreen.
2. Methods and materials.
3. The use and maintenance of the squeeze.
4. Sealing, registration for colour, work, and preparation for printing.
5. Solvents for cleaning, use and characteristics of printing inks.
6. Finishing and mounting of the print.
b) Lithography 100 Periods
1. Introduction: Short history and the methods and materials used in producing lithographic prints
2. The use and characteristics of the Litho stone/Zinc plates.
3. The use of lithographic chalks and ink (Tusche).
4. Preparing for printing and use of various chemicals inking and taking proofs.
5. Papers used in lithography and getting the final print.
6. Finishing and mounting of the print.
c) Etching and Engraving (Intaglio Process) 120 Periods
1. Introduction to intaglio technique with a short history, methods and materials, Etching process.
2. Preparing the plate and laying the ground (resist) and Inking.
3. Characteristics of different types of grounds.
4. Characteristics and use of various acids.
5. Colour etching, use of stencils and marks.

 

GUIDELINES FOR EVALUATION OF PRACTICAL

Marking Scheme:

Part Description Marks
Part I: Graphic-Composition (printmaking) (i) Emphasis on the subject 10
(ii) Handling of the material and technique of print-making 10
(iii) Composition and quality of print 30
Part II: Portfolio Assessment (a) Record of the entire year’s performance from sketch to finished product 10
(b) Five selected Prints 10
(c) Five selected prints based on Indian Folk Art – Linocut/Wood-cut/paper-card-based prints 10
Total 70

 

CBSE Class 12 Sculpture Course Structure 2024-25

Theory 

Maximum Marks:30
Time allowed: 2 Hours
Unit wise weightage

Unit Period Marks
1 a) Six Limbs of Indian Art Painting & Fundamental of Visual Arts (Elements & Principles) 24
b) The Rajasthani and Pahari Schools of Miniature Painting 24
2 The Mughal and Deccan Schools of Miniature Painting 24
3 The Bengal School of Painting and the Modern Trends in Indian Art 24
Total Periods 72
Total Marks 30

Note: The Syllabus of Sculpture (Theory) for Class XII is the same as that of Painting (Theory)
for class XII given earlier.

CBSE Class 12 Sculpture Practical Syllabus 2024-25

Practical

Maximum Marks:70
Time allowed: 6 hours. (3+3)
Unit wise Weightag

Unit Content Period Marks
1 Modeling in Relief (Clay and plaster of Paris) 50 25
2 Modeling in Round (clay and plaster of Paris) 50 25
3 Portfolio Assessment 48 20
Total 148
Total Marks 70

Unit 1: Modeling in relief =50Pds
Unit 2: Modeling in round=50Pds
Unit 3: Portfolio Assessment =48Pds
a) Record of the entire year’s performance from sketch to 10 Marks
finished product. Four pieces of work prepared during the course
selected by the candidate.
b) One selected piece based on Indian folk Art 10
Marks(Sculpture- Round or Relief)
* Use of clay composition in a hollow for baking.
* Modelling of simplified human figures, birds, animals, and plants in relief and
round.Geometrical shapes like cubes, cones, cylinders, etc., and their composition
in relief as an exercise in the design study of textures. Use of plaster of Paris.
The selected pieces were prepared during the course by the candidate and certified by
school authorities as works executed in the school are to be placed before the
examiners for assessment.
Note:
1. The candidate should be given a one-hour break after the first three hours.
2. The timetable is to be so framed as to allow the students to work continuously for
a minimum of two Periods at a stretch.

CBSE Class 12 Applied Art Course Structure 2024-25

Maximum Marks:30
Time allowed: 2 hours

Unit Period
1 a) Six Limbs of Indian Art Painting & Fundamental of Visual Arts (Elements & Principles)
b) The Rajasthani and Pahari Schools of Miniature Painting 24 10
2 The Mughal and Deccan Schools of Miniature Painting 24 10
3. The Bengal School of Painting and the Modern Trends in Indian Art 24 10
Total Periods 72                                                                                                                                                 Marks= 30

Note: The Syllabus of Applied Art-Commercial Art (Theory) for Class XII is the same as that of Painting (Theory) for Class XII given earlier.

Cbse Class 12 Applied Art Practical Syllabus 

Maximum Marks:70
Time allowed: 6

Unit Period
1 Illustration 50 25
2 Poster 50 25
3 Portfolio Assessment 48 20
Total 148 Marks =70
Unit Illustration Periods Marks
1 Study of techniques of illustration on given subjects and simple situations supported by drawing from life and outdoor sketching in different media suitable for printing. 50 25
2 Make a poster with specified data and a slogan on a given subject in two or three colors. 50 25
3 Portfolio Assessment

  • (a) Record of the entire year’s performance from sketch to finished product.
  • (b) Four selected drawings in any media done during the year including a minimum of two illustrations.
  • (c) Two selected posters in the chosen subject.
  • (d) Two selected works based on Indian Folk Art
48 20

CBSE Class 12 Fine Arts Syllabus pdf Download

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